讽刺滑稽戏剧
发表于 2025-3-23 12:55:57
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不能妥协
发表于 2025-3-23 15:33:06
A New Digital Ecology: , and Thing-Power Materialismiling the ways in which . expresses a new ecological perspective—an object-oriented ontology. My exploration considers the robotic appendage used by the main character, Sam, to safely traverse a ruined North America. This tool is known in the game as the Odradek Terrain Scanner. Full functionality o
arabesque
发表于 2025-3-23 18:59:18
Wilderness Ecologies in , and nology. . seems to operate as an elegy to a lost time of rugged individualism, open frontier, and a mythologized America while . reads more as a postapocalyptic jeremiad which warns us of the possible consequences of an overreliance on technology for military as well as environmental purposes. Despi
PANG
发表于 2025-3-23 22:56:05
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背信
发表于 2025-3-24 03:41:13
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奇怪
发表于 2025-3-24 10:28:45
Call Me Corvo: Reading Kinship in , Through the Lens of a rich engagement with Dishonored, in which opportunities for the player to consider their own moral positionality, and the game’s connections between the objectification of animals and sociopolitical corruption, offer a relevant perspective on our current climate crisis and kinship failures. .’s to
出没
发表于 2025-3-24 11:22:39
Climate Change Ethics in ,: Weirding, Disquietude, Choicelimate change, nor an ethical game, insofar as it has no structured ethical framework. Yet the human-destroyed Earth, planetary colonization, and mission to “save the world” from a “season of death” evoke deeply controversial ethical debates about climate (in)action, responsibility, and redemption.
blister
发表于 2025-3-24 16:22:07
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Fester
发表于 2025-3-24 22:28:25
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jagged
发表于 2025-3-25 02:17:37
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