引导
发表于 2025-3-25 07:03:35
Introduction,lity than what classical depictions of the diva impart. While, for example, lines 39–63 of Ovid’s . 12 describe Fame’s dwelling at a location similar to that of Chaucer’s—in the classical depiction, the point at which the earth, sea, and heavens meet—the final lines of the . record the narrator’s jo
莎草
发表于 2025-3-25 08:06:45
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archetype
发表于 2025-3-25 12:29:46
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倒转
发表于 2025-3-25 17:57:49
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Ige326
发表于 2025-3-25 22:57:04
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GIST
发表于 2025-3-26 03:11:58
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fiscal
发表于 2025-3-26 08:03:21
Book 20101409-1480), Geoffrey Chaucer s House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame s visual power. While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership
大方不好
发表于 2025-3-26 08:45:04
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不易燃
发表于 2025-3-26 13:26:43
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航海太平洋
发表于 2025-3-26 17:02:50
SunHee Kim Gertzcross a transect of headstones found in urban parish churchyards situated in inland and coastal cities in Britain (England and Scotland). Various methods were deployed to ascertain headstone characteristics. Upright headstones had their front panels photographed for the amassment of a digital record