作业 发表于 2025-3-21 16:29:39
书目名称Ubiquitous Music影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0940255<br><br> <br><br>书目名称Ubiquitous Music读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0940255<br><br> <br><br>调情 发表于 2025-3-21 23:27:49
https://doi.org/10.1007/978-3-319-11152-0Audio Recording; Creativity; Festival City; Music Ecosystems; Ubiquitous Music (Ubimus)Barrister 发表于 2025-3-22 03:08:19
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Development Tools for Ubiquitous Music on the World Wide Webed using the Emscripten compiler and discuss its features and limitations. In complement to this, we look at a Native Client implementation of Csound, which is a fully functional version of Csound running in Chrome and Chromium browsers.乞讨 发表于 2025-3-22 17:26:41
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Ubimus Through the Lens of Creativity Theoriesain-specific or general approaches to creativity, this chapter covers general creativity frameworks and music-oriented models. First, we introduce the creativity factors, magnitudes and constructs that are applicable to UbiMus research. Then we discuss the limitations of several models of creativityintellect 发表于 2025-3-23 09:37:04
Methods in Creativity-Centred Design for Ubiquitous Musical Activitiesand creativity assessment. Social, material and procedural requirements were gathered through a ten-subject planning design study. Based on these results, an interaction metaphor—time tagging—was developed to deal with a musical activity in ubiquitous contexts: localised audio mixing. We implemented