Agoraphobia
发表于 2025-3-21 16:35:26
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单调女
发表于 2025-3-21 22:42:31
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自制
发表于 2025-3-22 00:27:12
Mauro Bon,Danilo Mainardi,Luca Mizzan,Patrizia Torricellinth century. If Shelley’s political oeuvre, as well as those texts that sport Titanic champions, possesses a clearly discernible focus, the lyrical section of his works remains somewhat of a rattlebag, depending on the definition of “lyrical.”. Many theories include two criteria: the speaker’s emoti
反省
发表于 2025-3-22 08:24:03
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没有准备
发表于 2025-3-22 12:12:20
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壮观的游行
发表于 2025-3-22 14:17:42
Maurizio Rispoli,Francesco di Cesare,Andrea Stocchettithe Indian Caucasus for much of Acts I, II, and III, shifting scene to a cave beside a temple at Athens. in Act IV. The action takes place in the continuous present:. when the play opens, Prometheus has been bound to a precipice of icy rocks in the Caucasian mountains for three thousand years, ‘the
最高峰
发表于 2025-3-22 18:21:04
Bruno Dente,Cinzia Griggio,Andrea Mariotto,Carolina Pacchiird section and Chapter 6 with the fourth section. The four chapters offer full readings of nine poems, three from each of the periods of Shelley’s life outlined in Chapter 2, and briefer comments on other poems, some of them related dispositionally rather than chronologically to the major poems und
fetter
发表于 2025-3-22 23:56:34
al causes, nor of its metaphysical and epistemological foundations. He was not what we would nowadays call a “theorist” of poetry, or of language more generally: not even in the senses in which Herder, Schlegel, Sainte-Beuve, or Arnold, let alone Heidegger or de Man, were theorists of these things.
Femish
发表于 2025-3-23 04:36:29
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facilitate
发表于 2025-3-23 07:15:17
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