Disaster 发表于 2025-3-21 19:32:54

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subacute 发表于 2025-3-21 22:47:19

Concepts of Performance in ,,ance that create an effective experience? What are the specific needs and characteristics of “religious theatre”? How does such theatre conceive of actor/character dialectics, especially in the distinctive case of enacting holy figures? That is, how is the very place that actors . in this kind of th

不理会 发表于 2025-3-22 04:28:56

978-1-349-37399-4Palgrave Macmillan, a division of Nature America Inc. 2011

卵石 发表于 2025-3-22 07:31:32

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利用 发表于 2025-3-22 08:58:40

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packet 发表于 2025-3-22 14:18:53

https://doi.org/10.1057/9780230118119concept; dialectic; epic; Medieval Literature; medieval period; Middle Ages; performance; theatre

1分开 发表于 2025-3-22 17:31:13

Conclusion, theory of the mystery plays are sophisticated and complex and express an enactment aesthetic that rests upon the dialogic nature of theatre and performance. Rather than concealing the theatrical mechanism medieval religious theatre celebrates its dual reference.

运气 发表于 2025-3-22 21:12:10

Street Scenes: Epic Acting, Total Acting, and Performance,illingness to create a mimesis based on similarity, a merging of the performing and the performed, the governing aesthetic sought the opposite. In other words, the objective was to emphasize, rather, the duality of the two, for which purpose a variety of theatrical conventions were used.

严厉谴责 发表于 2025-3-23 02:55:40

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一瞥 发表于 2025-3-23 07:13:41

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查看完整版本: Titlebook: Street Scenes; Late Medieval Acting Sharon Aronson-Lehavi Book 2011 Palgrave Macmillan, a division of Nature America Inc. 2011 concept.dial