ALT 发表于 2025-3-27 00:18:10
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Forever and Ever: The Fig Tree and Its Journey Through Time in Nadia Wheatley and Donna Rawlins’ s a plant-centred narrative. Australia’s unique landscape, with its towering ghost gums, sun-baked bushland and vast red sand, plays an intrinsic part in Australian picturebook storytelling. In ., this landscape is transformed—both figuratively and literally—as a bustling Sydney suburb in 1988 slowl致命 发表于 2025-3-27 06:49:36
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Gumnuts, Plant-Human Hybridity, and the Issue of Belonging of Australian children’s literature to represent indigenous Australian plants in her work. A British settler on colonized Indigenous land, Gibbs participates in both the shaping of an Australian identity for settler-culture children through connection with the Australian landscape and the erasure o哭得清醒了 发表于 2025-3-27 16:22:10
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Seeking Home, Discovering the Bush: The Australian Bush Envisaged in Ukrainian Children’s Books moved from Ukraine to Australia in the aftermath of World War II. The analyses combine Donna Haraway’s (.. Chicago: Prickly Paradigm Press, 2003) concept . with the notion of .. The compound “natureculture” challenges the intellectual tradition of separating nature and culture to highlight interactAROMA 发表于 2025-3-27 23:27:07
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“Something Here Is Completely, ,, Unnaturally Wrong”: Uncanny Vegetation in Amie Kaufman and Jay Krinot just serve to create suspense but also to address questions concerning the relationship between humanity and nature. Approaching the plant horror elements in the novel from a postcolonial ecoGothic perspective enables engagement with the underlying anthropocentric bias of . and its entanglementsCrohns-disease 发表于 2025-3-28 09:34:07
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