APEX
发表于 2025-3-23 10:03:32
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沟通
发表于 2025-3-23 15:08:35
Taking Flight in , them to create both illusions of speed, and, in a much more focussed way, illusions of gravity-defying flight. This onstage imagery feeds on and feeds into a set of ideas in the language which are all to do with ideas of moving so fast that one might fly; and with narrative techniques which also se
farewell
发表于 2025-3-23 21:41:41
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arrhythmic
发表于 2025-3-24 00:03:25
The Action of the Tiger: , and ,its audience, also runs them together with a central character who is himself repeatedly constructed as too fast for those around him. The play’s “breakneck” speed is concentrated in Richard, whose obsession with what he calls “fiery expedition” enables his temporary success. The second tetralogy go
ACTIN
发表于 2025-3-24 05:00:56
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Femish
发表于 2025-3-24 10:11:34
Free Flight: ,tion of states of extreme speed and flight. One context for this is that Shakespeare’s other plays after . continue to experiment and innovate with various forms of rapidity, often mixing up temporal sequence and physical movement in their images of speed and flight. Another relates to the question
PAGAN
发表于 2025-3-24 13:35:24
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Vertebra
发表于 2025-3-24 15:41:51
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stressors
发表于 2025-3-24 21:21:22
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Anguish
发表于 2025-3-25 01:54:53
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