CHARY
发表于 2025-3-21 17:08:16
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故意钓到白杨
发表于 2025-3-21 23:49:21
Book 1999ers to the crucial question: What is Gothic? The collection begins by addressing general issues about the locations and structure of Gothic; this is followed by various considerations of Gothic as a specific historical phenomenon, linked with specific aspects of British, American, and European socie
鉴赏家
发表于 2025-3-22 04:12:05
Lost cities: London’s apocalypseogether of the apocalyptic with other myths of the late nineteenth century, Empire and Decadence among them, and also to look specifically at the function of Gothic in the dense mythical clusters of the ..
胆小懦夫
发表于 2025-3-22 06:09:30
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hauteur
发表于 2025-3-22 11:09:38
Book 1999ollowed by various considerations of Gothic as a specific historical phenomenon, linked with specific aspects of British, American, and European society; and, finally, by an exploration of Gothic writing during recent decades.
枯萎将要
发表于 2025-3-22 16:44:56
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猜忌
发表于 2025-3-22 20:24:06
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的’
发表于 2025-3-23 00:04:37
Introduction: of apparitionsess of psychological transmission down the generations. There are, the theorists of postmodernism assert, perhaps . simulacra; entranced by the flickering glow of the new technologies, our bodies vanish from our apprehension, leaving only media constructs, apparitions of desire, hungry . whose appetite is matched only by their impotence.
ineptitude
发表于 2025-3-23 04:26:29
The Gothic production of the unconsciousrticular, are named and their theories employed in the classification and exorcism of the vampiric threat, unconscious cerebration remains in the background, contemporary scientific furniture in a novel obsessed with the limits of . modernity. Unremarkable, it is as if the unconscious has always been there.
Lymphocyte
发表于 2025-3-23 08:17:23
Heiner Müller’s Medea: towards a paradigm for the contemporary Gothic anatomy ‘Interface’. His creative work for the theatre stretches from the ‘Production Plays’ of the 1950s through the reworkings (‘copies’) of other people’s plays (including the two . volumes) of the 1970s to perhaps his most familiar plays in the Anglophonic world: . (1977) and . (1982), to which I shall later return.