沙发 发表于 2025-3-23 11:42:45
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Book 2016n, the operation of individual and collective memory, and the legacies of patrimony. Melusine emerges as a complex figure, representing a multifaceted feminine subject that furthers our understanding of Middle English women’s sense of self in the world..冷淡一切 发表于 2025-3-23 19:36:36
Introduction,der hierarchies that historically limited their full participation in social and cultural life. The “Introduction” also provides a useful literary review of past and recent scholarship and concludes with a discussion of the differences between the Middle English and French versions of the tale.kidney 发表于 2025-3-23 23:16:13
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Chapter 4 Architectures of Memory, argues that . functions as a memory machine, requiring the audience to participate in the memory-making function. Contrary to prevailing cultural expectations, the memory the audience is asked to continually re-inscribe in their memory stores is a celebration of the matriline.mitral-valve 发表于 2025-3-24 09:10:51
Chapter 5 Problematic Pasts and New Beginnings,ovement away from patrilineal legacies; all three gesture toward the need to cut with the patrilineal past in order to negotiate a different path to the future. Moreover, in . the hybridity of the sons realigns ideas about alterity, highlighting the process of “othering” as a political act rather than an inherent state.folliculitis 发表于 2025-3-24 10:43:15
Conclusion, mutuality of trust and a continuing cycle of exchange and negotiation between the sexes, all within a context that acknowledges the value of difference. The text of . encourages audience participation through recollection, reflection, and the acknowledgment of individual difference.跳动 发表于 2025-3-24 18:10:56
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http://reply.papertrans.cn/88/8732/873190/873190_19.png他姓手中拿着 发表于 2025-3-25 00:17:13
https://doi.org/10.1057/978-1-137-45046-3Medieval; Middle English Romance; Melusine; Gender Studies; Memory Studies; antiquity; Colonialism; culture