拖累
发表于 2025-3-21 19:05:56
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Deadpan
发表于 2025-3-21 23:13:31
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GNAT
发表于 2025-3-22 03:51:36
re, often devalued as mere ‘noise,‘ articulates a complex understanding of the border clashes which characterize Jamaican society, and analyzes the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.978-1-4039-6424-3978-1-4039-8260-5
Limpid
发表于 2025-3-22 06:37:21
,“More Fire”,est against the politics of appropriation. If Marley were alive today, he probably would be singing the very same range of songs as he did before he was cut down prematurely—songs chanting down Babylon in its many guises, and songs of love and reconciliation.
彻底明白
发表于 2025-3-22 11:54:06
Introduction: Word, Sound, and Power, the currency of the local. Indeed, the culture-specific nature of these “global” discourses is not readily conceded. Globalization, that cunning euphemism for the old imperial politics of appropriation and exploitation, resonates differently across the globe even as an economic system. Globalizatio
Cabg318
发表于 2025-3-22 14:42:22
Border Clash, for power in a wide range of spheres of influence. In its narrowest sense, the dancehall clash denotes the onstage competition between rival DJs and sound systems contending for mastery before a discriminating audience. More broadly, the clash is not just the performance event but becomes a trencha
鬼魂
发表于 2025-3-22 20:24:32
Slackness Personified,ticulators of the cultural values embedded in roots reggae and its dancehall flowering—Marley far more so and far more enduringly than Gordon. Conventional wisdom in Jamaica, manifested in the popular press and on numerous talk-show programs, valorizes Bob Marley’s politically charged reggae lyrics
忧伤
发表于 2025-3-23 00:24:28
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freight
发表于 2025-3-23 04:25:29
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intelligible
发表于 2025-3-23 05:57:40
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