吞没
发表于 2025-3-23 10:15:10
Pre-digital Shakespearean Celebrity,ugh a discussion of two notable Shakespeareans: David Garrick and Kenneth Branagh. In its conclusion on Branagh, Chapter . sets out the terms of pre-digital Shakespearean celebrity and establishes the stakes for near contemporaries like Tom Hiddleston (the focus of Chapter .), whose performer identities are increasingly constituted online.
Laconic
发表于 2025-3-23 14:28:03
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织布机
发表于 2025-3-23 18:19:48
Conclusion, the fans and individuals surveyed in the book indicate their desire to integrate Shakespeare with popular culture and to apply his work and capital to progressive ends, Shakespeare is also a vessel for populist beliefs online.
谷类
发表于 2025-3-23 23:25:16
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令人不快
发表于 2025-3-24 02:26:54
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semiskilled
发表于 2025-3-24 09:41:01
,Professional and ‘Amateur’ Shakespeareanism Onstage and Online,fessional Shakespeare fan. The chapter thus explores how the adaptation of Shakespeare in fan texts is echoed in the consumption and curation of a ‘digital’ Shakespeare by fans and non-professional online content creators and works through examples of theatre and academic blogs as well as Shakespeare interest websites.
emulsify
发表于 2025-3-24 11:10:17
Introduction, of contemporary Shakespearean celebrity, using the ‘to be or not to be’ sketch from the 2016 . celebration to suggest that, despite the evidence to the contrary, Shakespeareanism is still very much constructed as white, male and ‘high’ cultural. The chapter continues to explore the exclusivity atta
碳水化合物
发表于 2025-3-24 14:58:25
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松鸡
发表于 2025-3-24 22:49:53
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充气女
发表于 2025-3-25 02:13:24
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