Fresco
发表于 2025-3-23 12:30:29
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GROG
发表于 2025-3-23 17:12:30
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interrupt
发表于 2025-3-23 21:50:29
Book 2008A lively collection of essays from scholars from across Europe, North America and Australia. The book ranges from Shakespeare‘s use of manuals on war written for the sixteenth-century English public by an English mercenary, to reflections on the ways in which Shakespeare has been represented in Nazi Germany, wartime Denmark, or cold war Romania.
BINGE
发表于 2025-3-23 23:38:26
https://doi.org/10.1057/9780230228276Renaissance; Shakespearean drama; William Shakespeare; British and Irish Literature
FEMUR
发表于 2025-3-24 05:57:44
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OUTRE
发表于 2025-3-24 08:38:03
Whose ‘Triumph’? , in Berlin during World War II he was born and buried, Germany is the country where he truly lives.’. In times of international conflict, this German, even Nordic, Shakespeare could thus be deployed as a token of German genius and cultural superiority.
FLOAT
发表于 2025-3-24 13:56:11
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蚀刻术
发表于 2025-3-24 15:19:37
Never-ending Conflict: Man (and Woman) as Death Bearer in Testori’slanguage, was a tribute to Testori’s theatrical idiolect, but also made a phonological connection with ‘Dervish’, and thus the religious dances of that sect, pointing to one of Testori’s favourite themes: the ritualistic quality of theatre performance.
Proclaim
发表于 2025-3-24 20:59:09
War and Shakespearean Dramaturgyffer,/And find our griefs heavier than our offences’ (4.1.67–69). His is the classic Christian argument for just war derived from St Augustine: ‘For it is the injustice of the opposing side that lays on the wise man the duty of waging wars’ (., XIX. 7)..
ALLAY
发表于 2025-3-25 01:10:58
Shakespeare’s , as Staged in Heiner Müller’s iner Ensemble theatre. As with all the other scenes of this play, this is given its own title: ‘Maßnahme 1956’ (Measurement 1956). The theme of war, which is a central issue of Müller’s play, is highlighted in this rehearsal of a scene from ..