评论者 发表于 2025-3-25 05:28:23
http://reply.papertrans.cn/87/8662/866196/866196_21.png平常 发表于 2025-3-25 10:37:54
At War with the Boysime, children’s comics, contemporary television, film, and more with Shakespeare’s sonnets, Shakespearean actors, and other ‘Bard’-related elements. Gently mocking pretentiousness in all walks of life, the Boys deploy Shakespeare to work through issues of class, sexuality, and violence. M&W offer amoratorium 发表于 2025-3-25 14:33:50
Hamletsk, combining comic fantasies with multiple discourses. Eric and Ernie’s adaptations of . provide a useful analytical summary of their many modes of Shakespop iteration and appropriation. Deploying the Danish prince within a range of Variety contexts and characterizations, acting, directing, and guyi跳动 发表于 2025-3-25 16:29:31
http://reply.papertrans.cn/87/8662/866196/866196_24.png和音 发表于 2025-3-25 21:35:35
http://reply.papertrans.cn/87/8662/866196/866196_25.png未成熟 发表于 2025-3-26 00:34:35
Conclusion: What’s the Question?magine Shakespeare, Eric, and Ernie as gay men, thereby effectively altering traditional conceptions of masculinity, comedy, and ‘the Bard.’ For the Boys, then, ‘each brand new bright tomorrow’ offered an optimistic worldview that worked to bring joy and love through inclusive and hilarious comedy.Endometrium 发表于 2025-3-26 06:34:51
http://reply.papertrans.cn/87/8662/866196/866196_27.png陈腐思想 发表于 2025-3-26 10:27:58
Transferring Variety to Television individuals and institutions, requiring an accurate understanding of their vital training in Variety. The chapter examines the Boys’ training in Variety, their use of Variety on television, and the process by which they achieved such a successful transfer, creating a unique and inimitable television Variety.悲痛 发表于 2025-3-26 16:35:16
At War with the Boysently mocking pretentiousness in all walks of life, the Boys deploy Shakespeare to work through issues of class, sexuality, and violence. M&W offer a comic world that imagines a more inclusive community.多节 发表于 2025-3-26 19:26:45
Queer Shakespeareand, finally, in their Thames Television programme, . (I, 1978–1983). Lesbianism, dragging up as Marlene Dietrich, gay marriage, queer aesthetics, and more emerge as ripe subjects for a queer humour that helps to normalise homosexuality.