entail
发表于 2025-3-23 09:46:27
Hamletsk, combining comic fantasies with multiple discourses. Eric and Ernie’s adaptations of . provide a useful analytical summary of their many modes of Shakespop iteration and appropriation. Deploying the Danish prince within a range of Variety contexts and characterizations, acting, directing, and guying ‘Bardbiz’ all emerge as fundamental tropes.
雀斑
发表于 2025-3-23 15:20:11
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规范就好
发表于 2025-3-23 20:02:27
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instructive
发表于 2025-3-24 01:27:10
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Congregate
发表于 2025-3-24 04:40:57
In Bed with a WillThis chapter reconsiders the bed-sketch comedy of M&W, contextualizing it within the contemporary moment of homophobia and gay rights. Not unlike their use of Shakespeare, their use of (homo)sexuality has been oversimplified. The bed sketches normally retain homoerotic elements to create a raucous humour almost invariably lacking homophobia.
cuticle
发表于 2025-3-24 07:20:41
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最低点
发表于 2025-3-24 13:33:33
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Osteoarthritis
发表于 2025-3-24 18:41:53
Transferring Variety to Televisionir own hugely successful television Variety. Throughout their careers, they verbally superimpose the conceptual and performative world of Variety upon individuals and institutions, requiring an accurate understanding of their vital training in Variety. The chapter examines the Boys’ training in Vari
fiscal
发表于 2025-3-24 23:01:10
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Employee
发表于 2025-3-25 00:37:59
Shakespopwithin this history. Adaptations of Shakespeare proliferate in twentieth and twenty-first-century comedy, posing interesting interpretative challenges. The chapter’s overview of ‘Shakespop’ criticism provides the necessary foundation for examining the Boys’ use of Shakespeare.