消息灵通 发表于 2025-3-23 10:45:28

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吞下 发表于 2025-3-23 15:01:05

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预示 发表于 2025-3-23 20:15:48

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顶点 发表于 2025-3-23 23:38:20

https://doi.org/10.1057/978-1-137-59541-61 Shakespeare; 2 consciousness; 3 cognition; 4 cognitive theory; 5 performance

HEPA-filter 发表于 2025-3-24 06:09:18

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六边形 发表于 2025-3-24 06:46:11

Shakespeare and Consciousness978-1-137-59541-6Series ISSN 2945-7297 Series E-ISSN 2945-7300

合适 发表于 2025-3-24 12:15:10

“Being Unseminared”: Pleasure, Instruction, and Playing the Queen in ,must have played him. Starting with the image of the eunuch’s mutilated body, he parallels the training of boy actors in the early modern professional theater with the actor’s need to assume identity and ties both to the somatic embodiment of consciousness and the distributed cognition required by early modern theatrical practice.

叫喊 发表于 2025-3-24 14:53:30

Bodies and Selves: Autoscopy, Out-of-Body Experiences, Mind-Wandering and Early Modern Consciousnessscopic illusions to mirror ideas in ., and turning to out-of-body experiences, Purnis offers historical examples linked to the early modern idea of . and “being beside oneself” in ., and .. Finally, mind-wandering is examined as a sub-category of ecstasy and daydreaming.

做方舟 发表于 2025-3-24 21:19:37

Introduction, Emotion, and Memory. In the following chapter summaries, the authors emphasize the collection’s unique interest in fragmented and distributed consciousness, character and identity, notions of playing, temporal paradox, the instability of memory, heightened ethical sensibilities, and altered states.

安抚 发表于 2025-3-25 01:42:26

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查看完整版本: Titlebook: Shakespeare and Consciousness; Paul Budra,Clifford Werier Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 1 Shakespeare.2 c