变更
发表于 2025-3-21 17:24:06
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ALOFT
发表于 2025-3-21 21:50:27
Reinterpreting Shakespeare Today,ive vision that invites discovery in his plays today. It is intended as a contribution to what remains a fundamental objective of radical criticism at the beginning of the twenty-first century: to contest and displace the established interpretations of canonical works, and thereby transform both the
alliance
发表于 2025-3-22 03:13:56
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evanescent
发表于 2025-3-22 07:56:58
Shakespearean Tragedy: The Subversive Imagination,n the two dominant, complementary manoeuvres, the tragedies are presented either as endorsing the established order of things by vindicating conventional values, or as reconciling us to our intractably flawed human nature, and thus to the necessity of our generic plight, however monstrous and unbear
GRIN
发表于 2025-3-22 11:46:02
Shakespearean Comedy and Romance: The Utopian Imagination,ii.324), his comedies and romances create opportunities to explore the way the world might look and feel with the dead weight of prevalence and probability lifted from its shoulders. The tragedies are preoccupied with the destruction of the potential by the actual, of the more desirable forms living
非秘密
发表于 2025-3-22 16:36:09
,‘Dreaming on things to come’: Shakespeare and the Future of Criticism,bjective that underpins it, which is to help unlock the impasse in which most modern criticism, it seems to me, has languished for too long. As I argued in Chapter 2,. when we set out to study a novel, play or poem from the past, and especially from the distant past, we are basically obliged to opt
Choreography
发表于 2025-3-22 20:35:58
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阴险
发表于 2025-3-23 00:39:12
Reinterpreting Shakespeare Today,long been recognized, even in conservative quarters, to be in dire disarray and in urgent need of reconstruction.. Alternative perspectives opened up by feminism, poststructuralism, psychoanalytic theory, new historicism and cultural materialism have thrown the rationale, and hence the interpretive
abduction
发表于 2025-3-23 01:54:59
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自负的人
发表于 2025-3-23 08:32:37
Shakespearean Tragedy: The Subversive Imagination,e traditional critical response, with which I will chiefly be concerned in this chapter, has been keener to surrender to the sway of the awesome and ineffable: What do we touch in these passages? Sometimes we know that all human pain holds beauty, that no tear falls but it dews some flower we cannot