减去
发表于 2025-3-28 18:09:49
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卷发
发表于 2025-3-28 18:49:44
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织布机
发表于 2025-3-29 01:38:00
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剥削
发表于 2025-3-29 05:53:30
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讽刺滑稽戏剧
发表于 2025-3-29 08:02:59
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Chandelier
发表于 2025-3-29 11:56:11
Reading Richard Felton Outcault’s “Yellow Kid” Through Perception of the Image. his serial comics from the late nineteenth and early twentieth centuries helped invent modern comics. This chapter explores . the new visual structures and unorthodox narratives of the Yellow Kid, Outcault’s first serial comic and one of his most commercially successful characters, relayed to thei
我的巨大
发表于 2025-3-29 16:20:19
Colour in Comics: Reading Lorenzo Mattotti Through the Lens of Art Historyentury the latter, however, started to shift towards a new interpretation of the significance of colour. The first scholar who dedicated himself to this important topic was the German art historian Ernst Strauss. He laid the basics for our present understanding of the subject. His student Lorenz Dit
Iniquitous
发表于 2025-3-29 22:29:26
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舔食
发表于 2025-3-30 01:35:12
Towards Feminist Comics Studies: Feminist Art History and the Study of Women’s Comix in the 1970s in70s with a focus on women’s underground comix in the United States, which developed in response to second-wave feminism (e.g. . (1970), . (1972) and . (1972)). The methodological framework comprises both historical and contemporary art criticism written from and in dialogue with the theoretical pers
CRUDE
发表于 2025-3-30 06:03:18
Queer Bodies: Visual Weight and Imagined Gravity in Sport Mangae specifically his concept “visual weight”. The main purpose of using a queer method in Art History or Visual Studies is to add visual records of queer bodies and queer life into the catalogue of a queer Art History or used in an interdisciplinary context—the queer archive (Halberstam, . New York: N