slow-wave-sleep 发表于 2025-3-23 12:42:37
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The Lives of the Artists, such as an apparent difficulty to overcome established art-historical traditions of life-writing and a liminal position between art-historical text and leisure reading. However, the genre also holds the power to question, negate, and even correct the established art-historical canon. In including清真寺 发表于 2025-3-23 19:08:43
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Aesthetics of Reception: Uncovering the Modes of Interaction in Comicsd and expanded on the perspectives of the 1970s and 1980s. Drawing from her insights, this chapter concludes with an outlook on aspects essentially connected to comics and which should be followed in developing a reception aesthetics of comics. As I argue from a perceptual-theoretical orientation, cconcise 发表于 2025-3-24 03:20:22
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Colour in Comics: Reading Lorenzo Mattotti Through the Lens of Art Historyies will be applied to Lorenzo Mattotti’s and Jerry Kramsky’s adaptation of Doctor Jekyll & Mr Hyde. Mattotti often evokes specific historic artworks and painting styles in his comics and here transferred the story from Victorian London to Weimar Berlin, often referencing artworks from this period.GRUEL 发表于 2025-3-24 13:05:01
Feminist Art History as an Approach to Research on Comics: Meta Reflections on Studies of Swedish Feism’s encounter with the canon, which began with the Women’s Liberation Movement in the early 1970s (Pollock, Griselda, .. Routledge, London 1999). This chapter ends with a reflection on the relevance—the potential and the deficiencies—of feminist art-historical approaches to the field of Comics StuGlycogen 发表于 2025-3-24 15:32:22
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