ACRID
发表于 2025-3-23 12:54:53
The Queer Materiality of History: H.D., Freud and the Bronze Athena the past. H.D. and Freud shared a queer attachment to the partially damaged bronze statuette, which was associated with the inevitable losses of history as well as the possibility of anachronistic survival. As such, the ancient object facilitated dialogue between H.D. and Freud and their literary and scientific projects.
GLEAN
发表于 2025-3-23 16:50:47
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少量
发表于 2025-3-23 18:27:50
,Introduction—Desiring Sculptures, Encountering the Past: Sculpture, Sexuality and History,It shows that the erotics of sculpture are intimately connected with considerations around uses of the past and understandings of history. These points are developed through an exploration of three intersecting themes. The first section explores the desire for the living or moving statue and argues
的阐明
发表于 2025-3-24 02:08:57
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Jogging
发表于 2025-3-24 02:47:05
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OPINE
发表于 2025-3-24 06:31:00
Women, or Wax? Eros, Thanatos, and Sculpture in Cinemaive encounters between artists and anatomists from the birth of the La Specola Venuses to Madame Tussauds, with Ovid’s myth of Pygmalion and Galatea piercing the history of these encounters like a bloody thread. We will single out a universe in which sculptors are equated with surgeons, and in which
Canary
发表于 2025-3-24 13:27:54
The Indecent Body of Sculpture: Theodor Storm’s Realist te, sensualistic object. This essay considers the ambivalent status of sculpture in German Realist Theodor Storm’s novella . (1875). Storm’s text is preoccupied with questions of decency and indecency, questions that were raised not only by Storm himself, but by contemporary reviewers, as well as vi
事情
发表于 2025-3-24 16:07:32
A Token of Triumph Cut Down to Size: Jacob Epstein’s , as Fetish Objecture mounted on a real rock drill, the phallic connotations of which were noted both then and in the work’s subsequent reception. The following year, Epstein returned with ., a reduced version of . that no longer incorporated the drill and featured only the upper part of the figure. Contesting Epstei
手势
发表于 2025-3-24 22:04:53
Ethics and Erotics: Receptions of an Ancient Statue of a Nymph and Satyrncient past. I trace receptions of the statue, which represents a mythical sexual encounter, from its Roman context, through its place in Charles Townley’s eighteenth-century collection of antiquities, and then into the British Museum. My analysis reveals that it has variously—often simultaneously—b
daredevil
发表于 2025-3-25 02:15:42
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