根深蒂固
发表于 2025-3-21 19:19:56
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不能仁慈
发表于 2025-3-21 20:44:32
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反叛者
发表于 2025-3-22 03:00:50
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mortuary
发表于 2025-3-22 07:17:29
Catriona MacLeodntegral communication framework they represent the basic element of user definition and networking. In addition, other social platforms rarely allow anonymous feedback exchange, and they are usually not focused on the personal development of their end-users. Aside from helping actors present their a
AXIOM
发表于 2025-3-22 12:09:12
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单色
发表于 2025-3-22 16:38:00
Antiquarian Pygmalions: The Female Body, Ancient Statuary, and the Idea of Imaginary Transport in thman’s body and ancient statuary signifies the desire to gain access to the past. It also traces how this imaginative link allowed for the construction of an object of inquiry that promised to turn this fantasy into reality.
不能仁慈
发表于 2025-3-22 19:40:40
Longing for the Past: Eichendorff’s ,, Historical Experience, and the Sexuality of the Masterpieces n the way Eichendorff’s contemporaries experienced sculpture. The masterpieces room, a museographical invention presenting highlights of a collection in an apparently disorganised manner, emerges as the museal equivalent to the Romantic, sexualised engagement with the past.
不可磨灭
发表于 2025-3-22 22:57:28
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凹室
发表于 2025-3-23 04:33:30
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custody
发表于 2025-3-23 07:32:37
Encountering the Niobe’s Children: Vernon Lee’s Queer Formalism and the Empathy of Sculptureith Karl Groos around the concept of “inner mimicry” is essential to examine how sculpture also allowed her to explore sexuality plastically. Originating in late-Victorian discourses around formalism, Lee’s aesthetic engagement with the past represents an ethics of embodiment that resonated with modern theories of sexuality.