代理人 发表于 2025-3-25 06:16:25
http://reply.papertrans.cn/87/8629/862878/862878_21.pngGenome 发表于 2025-3-25 10:47:54
Towards World Heritage Cinema (Starting from the Negative)on the left to be a correlate of Thatcherite ideology. For these scholars, heritage cinema was a conservative and ideologically unsound form that proffered ‘a highly selective vision of Englishness attached to pastoral and imperial values where the past as spectacle the main attraction’ (ViMANIA 发表于 2025-3-25 13:54:13
Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footages that have surrounded heritage cinema ever since Andrew Higson coined the term spring from the fact that it offers a ‘clear explanatory model makes things look simple […] because it confers a pleasing symmetry onto the seeming chaos of cultural forms’ (Harper 2004: 140). The vibrant critical冷漠 发表于 2025-3-25 19:22:45
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Spectral Spanish Heritage: The Hauntology of , (,)rs to as an ‘imagined community’ (1991: 6). The problematic nature of such a strategy, a reflection of a fundamentally reductive understanding of Spanish heritage upon which Francoism was based, is conveyed by Ernest Gellner’s belief that nationalism ‘is not the awakening of nations to self-consciouMAG 发表于 2025-3-26 01:44:43
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http://reply.papertrans.cn/87/8629/862878/862878_27.pngCROW 发表于 2025-3-26 12:14:21
http://reply.papertrans.cn/87/8629/862878/862878_28.pngURN 发表于 2025-3-26 12:48:01
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