ossicles 发表于 2025-3-21 19:21:34
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Lights, Camera, Research: The Specificity of Research in Screen Production, film and television industry, where, at present, knowledge transfer from academic researchers to the wider screen practice community is negligible at best. However, for this to improve, approaches to research need to clearly reflect the specifics of the practice, and demonstrate outcomes that reson要塞 发表于 2025-3-22 02:27:08
The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research,institutional setting. A review of the various forms of arts research currently being practiced in higher education reveals the marginalisation of the forms of research and project development conducted by artists in the course making their work, which the academy is loath to acknowledge. To advancinchoate 发表于 2025-3-22 08:00:57
Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact,g screenplay works is not only understood but also celebrated as a legitimate form of knowledge discovery and dissemination. The resulting work of this creative practice research, which we might call the ‘academic screenplay’, thus functions simultaneously as a method of research enquiry and a ‘non-祖传财产 发表于 2025-3-22 10:14:37
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Method in Madness: A Case Study in Practice Research Methods, managerial methods, routines, processes and discourses that help us navigate our way towards creating some kind of impact. In this chapter, I seek to describe and articulate an example of a film project as research, with a particular emphasis on looking at how documentation and critical reflectionIRATE 发表于 2025-3-22 22:40:18
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http://reply.papertrans.cn/87/8629/862871/862871_9.png周兴旺 发表于 2025-3-23 09:01:08
,Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documee complexity of reality. Theories of spectator embodiment suggest opportunities to address these conditions through both the content and form of documentary work. Building on Epstein’s . and Marks’s ., this chapter examines a poetic approach to documentary production as one way to activate diverse k