严峻
发表于 2025-3-21 19:56:40
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FOR
发表于 2025-3-21 20:33:06
Tide Wrack and Sand,ticisms—are in tangential contact and form an open network that is as three dimensional as the page will allow (as sand is). “Tide wrack” is marine debris—natural and manmade—that washes up daily onto the beach. Baudelaire compared the poet to the chiffonier or ragpicker picking up the city’s refuse
flimsy
发表于 2025-3-22 03:26:45
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聚集
发表于 2025-3-22 08:09:19
,An Englishwoman’s Home Is Her Castle: Social Morphologies and Coastal Formations,on the beach at Felpham. . she asks the AA’s . as we beachcomb our way through it. The tin bucket recurs in many of the photos we’ve dug out. From Broadstairs to Swanage. She’s older by Lynmouth and Minehead, gone from boarding house to hotel. She’s in tents with the Guides by Colwyn Bay; on Sunday
Rinne-Test
发表于 2025-3-22 11:03:54
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新奇
发表于 2025-3-22 13:32:19
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BLAZE
发表于 2025-3-22 17:50:49
On the Sound-Sea: Fifteen Ways of Thinking About Sand and Sound,and music as a space between, a space in which the listener hears the call of the sea and responds to that call. In 15 different ways, including personal reflections as well as analysis, this chapter takes a critical-creative method to rethink the intertidal space as a place of possibility and trans
带来墨水
发表于 2025-3-22 22:45:30
Rough and Smooth Sands: Social Thresholds and Seaside Style,f, the sandscape is often turned to by writers who testify to it as a space in which we can lose ourselves, to escape the world. Elizabeth Gaskell described her heroine, Margaret Hale, on the sandscape as enjoying the “luxury of pensiveness”, a moment of peace and transcendence. This chapter explore
follicle
发表于 2025-3-23 01:50:58
A Morecambe Mystery,rform death-defying BMX tricks. A couple mourn the loss of a black cat in the tide that runs faster than a horse. But who is the woman scattering seed and waving a fennel bulb in a mystic circle on the sand? What is the darkness that haunts the bridal suite? What is the future for a seaside resort w
窝转脊椎动物
发表于 2025-3-23 09:10:14
Map of the Quick,th centuries, led to this story written from the imagined perspective of “Annie”, a landlady of a guest house circa 1850. Driven to migrate across country, east to west, from Yorkshire to the respite and shelter provided by Morecambe Bay, she was part of a collective experience of migration that pop