CRACK
发表于 2025-3-25 06:45:56
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DNR215
发表于 2025-3-25 11:16:55
: Theatre Workshop Scotland, 2007,isibly impaired body as a means of generating .’s intense affective disquiet in performance and the key lines of disturbance, distress, and even outright horror that characterise the play. Interviews with Shaban and Robson close the chapter.
MARS
发表于 2025-3-25 12:44:20
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异端邪说2
发表于 2025-3-25 16:38:33
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冒失
发表于 2025-3-25 21:34:52
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让你明白
发表于 2025-3-26 03:20:14
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engrossed
发表于 2025-3-26 04:43:40
Epilogue: Disability Performance and the Virtuosic Body, and an interview with Edward Beckett, executor of the Beckett estate, closes the chapter. This epilogue also offers one final contention: that disabled performances of Beckett’s plays might prompt us to reconsider the concept of the “virtuoso actor” in line with a specifically Beckettian form of “virtuosity”.
杂役
发表于 2025-3-26 09:13:58
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affinity
发表于 2025-3-26 13:50:22
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淘气
发表于 2025-3-26 18:55:55
: Me to Play, 2012,se familial connection with Parkinson’s disease by way of his mother May Beckett and his aunt Cissie Sinclair, this chapter explores the parallels that the company found between Parkinson’s as a degenerative disease and . as a play centrally concerned with deterioration and decline. . embraced the s