harrow
发表于 2025-3-25 06:45:24
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Palliation
发表于 2025-3-25 10:42:29
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一起
发表于 2025-3-25 15:26:10
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interlude
发表于 2025-3-25 17:48:35
Signifying Nothing: Coleridge’s Visions of 1816—Anti-allusion and the Poetic Fragments confessional pieces, in the manner pioneered by Coleridge and Wordsworth in 1797, but stop short of actually revealing the circumstances that generate the emotional states they explore. Cryptic suggestions, pregnant phrases, and arch hints substitute for plain exposition; the writer seems coy; rea
原告
发表于 2025-3-25 23:51:01
Positioning ,: Poetic Circles and the Development of Colonial Romancehe era. The colonial romance—the verse narrative that told a story of love and hate between colonizer and colonized in a country undergoing imperial conquest—was a cousin of the Oriental tales that I examined in the second chapter, but was much more clearly related to contemporary power struggles ac
骑师
发表于 2025-3-26 03:47:41
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paroxysm
发表于 2025-3-26 07:31:49
Iamb Yet What Iamb: Allusion and Delusion in John Clare’s Asylum Poemses.”. Confined in a lunatic asylum, John Clare adopted other people’s voices. He told visitors he was Jack Randall, the boxer; he wrote poems as Lord Byron and as William Cowper. This adoption of other poet’s voices may or may not have been related to a belief that he shared their identities. Some v
暂时休息
发表于 2025-3-26 11:48:37
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有杂色
发表于 2025-3-26 16:29:29
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娴熟
发表于 2025-3-26 17:05:09
The Politicization of Allusion in Early Romanticism: Mary Robinson and the Bristol Poets task to show that its hidden cost was the reduction of value to material possession—a reduction that not only corrupted the consumer but also exploited the producer, who was himself reduced to a commodity. . In this respect Britons had become, Coleridge remarked (anticipating Marx), “Fetich worshippers.”.