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Introduction,rth, Keats and Shelley – were conspicuous, initially, for their paltry sales and invisibility to all but the most dedicated habitués of the literary networks that dominated the publishing scene.. If these writers survived in the face of such adversity, it was owing, in part, to their firm sense thatTortuous 发表于 2025-3-24 17:30:18
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The Romantic Abject: Cagliostro, Carlyle, Coleridge,torical kernel. In the middle of this winnowing, the cultural and institutional formation we call ‘Romanticism’ begins to assume a shape. Viewing the process of Romanticism’s self-becoming it helps to focus on those moments where the Romantic encounters — throws down and expels — its necessary other铁砧 发表于 2025-3-25 03:04:12
The Romantic-era Novel,ur literary culture. Of course the novel resumes its central role in the story of ‘English’ once we break through to the safe territory of Victorian fiction, where prose once again resumes its stately voyage towards its present generic supremacy.