能干 发表于 2025-3-21 20:06:45

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存在主义 发表于 2025-3-21 23:17:30

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objection 发表于 2025-3-22 01:52:11

https://doi.org/10.1057/9781137378743Chinese cinema; Chinese revolution; Chinese history; Maoism; revolutionary culture; communist culture; pro

set598 发表于 2025-3-22 08:17:56

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tendinitis 发表于 2025-3-22 09:42:41

,From Disaster to Laughter: Making Comedies in a Changing Political Landscape, 1959–1963, of their original objectives. The former intensified ideological struggles and protracted the GLF. The latter completed the CCP’s U-turn away from the campaign and significantly relaxed the political atmosphere.

languid 发表于 2025-3-22 16:08:22

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encomiast 发表于 2025-3-22 20:57:16

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canvass 发表于 2025-3-23 01:10:05

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凶残 发表于 2025-3-23 04:37:48

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使人入神 发表于 2025-3-23 07:01:32

From , to the Career of ,: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 195Republican-era movie magazines. In a long essay published in the first three issues of the magazine, Huang Zongying, a progressive Shanghai private studio actor (.),. told a story of her witnessing the “liberation” of a Chinese girl from the Hollywood star culture. Entitled “Two Cultures,” the story
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查看完整版本: Titlebook: Revolutionary Cycles in Chinese Cinema, 1951–1979; Zhuoyi Wang Book 2014 Zhuoyi Wang 2014 Chinese cinema.Chinese revolution.Chinese histor