免除责任
发表于 2025-3-26 21:30:57
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FLIRT
发表于 2025-3-27 04:29:03
Introduction: Genres in Transition, and media studies is predicated. While pointing out the changes within generic modes of production, distribution, marketing, exhibition and reception, the authors argue for a reconception of the category of film genre as one “in transition,” in light of an increasingly globalized mediascape. To thi
glisten
发表于 2025-3-27 05:52:54
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staging
发表于 2025-3-27 10:55:12
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脆弱吧
发表于 2025-3-27 16:33:36
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圣人
发表于 2025-3-27 18:00:39
Modern Bromance, Mikhail Bakhtin, and the Dialogics of Alteritynce” are consistently undermined by an investment in heteronormativity. Otherness, alterity, and transgression are similarly key features that serve to problematize the structures of representation while simultaneously delimiting and delegitimizing otherness. Situating the bromance in the history of
Cleave
发表于 2025-3-28 01:19:19
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FEAS
发表于 2025-3-28 06:11:02
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Hirsutism
发表于 2025-3-28 09:51:43
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MENT
发表于 2025-3-28 10:55:04
The “Smart” Teen Film 1990–2005: Identity Crisis, Nostalgia, and the Teenage Viewpointracterized by blank, ironic, or distanced “sensibility” or tone, and preoccupied with questions of identity—which emerged in the intersection of independent and mainstream cinema in the 1990s. The “Smart teen film” examines issues of personal identity, class, sexuality, and (often) masculinity, rebe