interlude
发表于 2025-3-26 22:46:50
‘The Wake? What of It?’: Figures of Loss in the Migrant Plays of Colm Ó Clubháne agitprop theatre group, the Brixton Faeries. Through the 1980s, he began to write plays and poetry addressing the migrant identity and belonging—especially the difficult interstitial identities of the queer ethnic migrant. His first play, . (1985), performed for both LGBT and Irish theatre audienc
Delirium
发表于 2025-3-27 04:40:56
Book 2018t of death, but feelings of loss in the wake of immigration and of the loss of certainties that defined notions of identity are also analysed. This volume will be of interest to scholars, students and researchers in Irish Studies, loss, memory, trauma, death, and cultural studies.
火光在摇曳
发表于 2025-3-27 06:54:17
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arabesque
发表于 2025-3-27 12:52:28
Lost? Technology and Place in Recent Irish Poetryngagement with technology varies between concerns with technological control and alienation on the one hand, and, on the other, a curiosity regarding the new forms of mediation that we adopt to communicate our place in the world.
蛰伏
发表于 2025-3-27 15:04:19
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热情赞扬
发表于 2025-3-27 20:22:18
Introduction: Defining Representations of Loss, and loss and offers a brief synopsis of the many emblematic works of literature that take loss as their starting point. Loss here is a broad field encompassing loss of life, loss of identity, financial loss and loss of a sense of self.
简洁
发表于 2025-3-27 23:27:42
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慷慨不好
发表于 2025-3-28 04:47:48
‘A Pure Change Happened’: Seamus Heaney and the Poetry of Lossther and father; this chapter will explore his own very poignant use of poetry to reveal connections and emotions that might otherwise have remained buried. It suggests that through what Walter Benjamin called the “gift of thinking poetically”, we see a nuanced attention to language and to the representation of loss.
FATAL
发表于 2025-3-28 08:39:24
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一再烦扰
发表于 2025-3-28 11:34:32
New Directions in Irish and Irish American Literaturehttp://image.papertrans.cn/r/image/827486.jpg