轻佻 发表于 2025-3-21 19:16:15

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微尘 发表于 2025-3-21 22:11:11

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杀虫剂 发表于 2025-3-22 03:20:09

Conclusion Thinking with Films,ng from one language, as well as cultural and historical contexts, to another. Translations and perceptions of relat-edness become conceptual bridges leading to something new, while retaining the old.

TEN 发表于 2025-3-22 06:32:18

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inhumane 发表于 2025-3-22 09:47:10

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有法律效应 发表于 2025-3-22 15:41:42

https://doi.org/10.1057/9780230621671anthropology; cinema; film; Japan; subject; television; translation; truth

Esalate 发表于 2025-3-22 19:33:38

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花费 发表于 2025-3-22 23:58:00

Overview: Through the lens of Akira Kurosawa‘s films, Martinez dissects the human tendency to make connections in a pioneering attempt to build a bridge out of diverse materials: the anthropology of Japan, film studies, and postmodern theory.978-0-230-62167-1

inchoate 发表于 2025-3-23 01:30:55

Setting the Scene, that one of the best examples of this was the way in which the films of Akira Kurosawa had influenced non-Japanese filmmakers. As an anthropologist, I soon realized that such a simple thesis required discussion of a much more complex series of conceptual issues. First, copying in the eras of modern

肿块 发表于 2025-3-23 05:58:42

Portrait of an Artist as Filmmaker,w of his “young” life and Galbraith’s massive The Emperor and the Wolf (2001) fills in many gaps; for summaries of all his films and excellent analyses of his work, Richie’s work is also important (1987, 1996). His daughter Kurosawa Kazuko (2004a, 2004b) has recently offered two memoirs of life with
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查看完整版本: Titlebook: Remaking Kurosawa; Translations and Per D. P. Martinez Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 anthropology.ci