Directed
发表于 2025-3-28 15:56:20
Censorship, Social Reform, and Mythological Drama in Colonial Indiarwise prejudicial to the public interests,” “likely to excite feelings of disaffection to the Government established by law in British India” or “likely to deprave and corrupt persons present at the performance “According to the Act, which applied to all of British India, the director, actors, and t
Debark
发表于 2025-3-28 21:52:34
From Kurukṣetra to Rāmarājya: A Comparative Analysis of the Star Personas of Amitabh Bachchan and Shcon, the embodiment of a twenty- first-century India, and a one-man industry capable of articulating and representing the Zeitgeist of a billion people who constitute the nation: Shah Rukh Khan (hereafter SRK). Thirty years ago, following the successes of films like . (The Chain, 1973), . (Embers, 1
母猪
发表于 2025-3-29 01:33:38
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绊住
发表于 2025-3-29 06:08:25
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anthropologist
发表于 2025-3-29 09:40:43
From Kurukṣetra to Rāmarājya: A Comparative Analysis of the Star Personas of Amitabh Bachchan and She who constitute the nation: Shah Rukh Khan (hereafter SRK). Thirty years ago, following the successes of films like . (The Chain, 1973), . (Embers, 1975), and . (The Wall, 1975), all starring the screen legend Amitabh Bachchan, one could have just as easily declared: “Only violence and Bachchan sell.”
iodides
发表于 2025-3-29 13:56:18
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superfluous
发表于 2025-3-29 19:30:13
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