敌手
发表于 2025-3-23 12:47:49
Introduction: Perpetration, Estrangement, and Historical Debt, emerged out of the disciplines of perpetrator studies and memory studies and offer an overview of comics that have depicted the process of perpetration. I end this chapter by briefly discussing the comics I analyze in this book and their own unique—and often estranging—approaches to the figure of the perpetrator.
LATER
发表于 2025-3-23 15:30:10
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姑姑在炫耀
发表于 2025-3-23 18:44:47
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起波澜
发表于 2025-3-24 02:16:29
,Who are you crying for?: Perpetration and Punishment in Nina Bunjevac’s , (2019),hment for her past transgressions. Deeply allusive and ambiguous, the graphic narrative overtly rejects—even as it invokes—the language of empathy in favor of a puzzle-like approach to representation, which often demands that we interrogate our own affective engagement with narratives of perpetration, victimhood, and complicity.
forecast
发表于 2025-3-24 04:18:45
,“Unable to protect anyone”: Terrorism, Salvation, and Cultural Intelligibility in Gene Luen Yang’s of nationalism; I consider the strategies the novel employs in order to foster the transcultural transmission of memory, and I argue that . is fundamentally structured by Catholic ontology and ethics, despite its largely progressive critique of nationalism and imperialism.
合适
发表于 2025-3-24 07:26:15
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沉默
发表于 2025-3-24 11:02:00
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CAND
发表于 2025-3-24 17:08:16
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放肆的你
发表于 2025-3-24 19:02:20
Dragoș Maneaforegrounds the figure of the perpetrator in a selection of British, American, and Canadian comics.explores questions related to remembrance, justice, and historical debt.focuses on works that deliber
Immobilize
发表于 2025-3-25 02:15:26
Palgrave Studies in Comics and Graphic Novelshttp://image.papertrans.cn/r/image/824948.jpg