Multiple 发表于 2025-3-25 05:43:32

,Kaurismäki: Today’s Pasolini, also something sacral about them. Kaurismäki’s poor people might have a heart, unlike most of Pasolini’s bums, workers and prostitutes, but the experience of a connection has support if one looks closely and comparatively at the work of these artists.

轻率看法 发表于 2025-3-25 09:00:28

Book 2024cultural philosophy – where Pasolini can be seen to be a real pioneer in discussing unprivileged margins in the society. Ryynänen reads Pasolini not just as a semiotician of film, but also as a cultural philosopher, and argues for that interpretation..

奖牌 发表于 2025-3-25 13:30:04

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fender 发表于 2025-3-25 18:50:47

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社团 发表于 2025-3-25 23:57:25

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malign 发表于 2025-3-26 02:44:04

: Becoming a Filmmaker,ysis here. The sociological core of Pasolini’s idea of reality is that the matrix of modern middle-class life is not reality, one which shares a lot with the media theories of Theodor W. Adorno and Guy Debord. While the latter accentuated the role of intellectuals (i.e., their own role) in “escaping

江湖骗子 发表于 2025-3-26 06:52:33

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abreast 发表于 2025-3-26 09:00:55

Fable and Myth,for the feature films . (1966) but also for some of Pasolini’s shorter films. Fable and myth, ancient but still living in our society, this is one of Pasolini’s takes on the topic, and in . we learn that those who think they are not under any possession of myths are the most mythical creatures on ea

富足女人 发表于 2025-3-26 16:39:11

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山羊 发表于 2025-3-26 16:56:41

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查看完整版本: Titlebook: Realism, Myth, and the Vernacular in Pasolini‘s Film and Philosophy; Beyond the Middle-Cl Max Ryynänen Book 2024 The Editor(s) (if applicab