大火
发表于 2025-3-28 15:41:42
Melodrama as Realism in Italian Neorealismut by melodrama. Because aesthetic theory (and common sense) defines realism and melodrama against each other, the relationship between melodrama and realism in neorealist films has never been considered beyond opposition. Yet in Italian neorealism, melodrama and realism interact and at times even c
我们的面粉
发表于 2025-3-28 20:33:28
Scale and the Negotiation of ‘Real’ and ‘Unreal’ Space in the Cinemazin) or generic or classical Hollywood conventions that produce an effect of the ‘real’ (characterizing the apparatus theory and so-called ‘. theory’ of the 1970s). However, the issue of cinematic scale and its relation to a sense of either the real or the unreal has remained largely unexamined. Thi
Endoscope
发表于 2025-3-29 00:24:13
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高兴去去
发表于 2025-3-29 07:05:51
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鞭打
发表于 2025-3-29 07:34:08
A Journey through Time: Alexander Sokurov’s , and Theories of Mimesistructure — a response to a reality and a production of an imaginary world. It would be misleading to evaluate the quality of vraisemblance in a world-reflecting schema and maintain mimesis as a single, fixed reading of art and aesthetics. Rather mimesis presents a quest for meaning, whether that mea
是比赛
发表于 2025-3-29 11:55:09
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争吵
发表于 2025-3-29 16:46:03
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犬儒主义者
发表于 2025-3-29 23:28:47
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言行自由
发表于 2025-3-30 01:43:06
Brecht, Realism and the Mediaauptmann and composer Kurt Weill that became the most successful stage performance of the Weimar Republic, translated into numerous languages and produced all over the world. With the Nazi accession to power in March 1933, Brecht went into exile, his books were burned in Germany and his German citizenship was revoked.
itinerary
发表于 2025-3-30 06:21:32
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