HAG
发表于 2025-3-21 18:46:08
书目名称Questioning French Secularism影响因子(影响力)<br> http://impactfactor.cn/2024/if/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism影响因子(影响力)学科排名<br> http://impactfactor.cn/2024/ifr/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism网络公开度<br> http://impactfactor.cn/2024/at/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism网络公开度学科排名<br> http://impactfactor.cn/2024/atr/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism被引频次<br> http://impactfactor.cn/2024/tc/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism被引频次学科排名<br> http://impactfactor.cn/2024/tcr/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism年度引用<br> http://impactfactor.cn/2024/ii/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism年度引用学科排名<br> http://impactfactor.cn/2024/iir/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism读者反馈<br> http://impactfactor.cn/2024/5y/?ISSN=BK0781818<br><br> <br><br>书目名称Questioning French Secularism读者反馈学科排名<br> http://impactfactor.cn/2024/5yr/?ISSN=BK0781818<br><br> <br><br>
Ptsd429
发表于 2025-3-21 21:38:17
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漂泊
发表于 2025-3-22 01:40:34
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圣人
发表于 2025-3-22 08:30:29
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敏捷
发表于 2025-3-22 11:44:18
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无力更进
发表于 2025-3-22 16:53:13
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不真
发表于 2025-3-22 17:10:53
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头脑冷静
发表于 2025-3-22 22:35:42
2946-3475 rights. Selby argues that the complex “fetishization” of headscarves in public, governmental, and feminist French discourse positions publicly-visible Muslim women in ways that obscure their engagement with laïcité (French secularism).978-1-349-58540-3978-1-137-01132-9Series ISSN 2946-3475 Series E-
BATE
发表于 2025-3-23 02:15:22
Setting the Scene: Place and Method,es, circling animatedly around a group of mostly Muslim women of North African origin.. Twenty or so women are seated in orange stackable plastic chairs at tables arranged in a half circle in the basement of a community center outside of Paris. The room is poorly heated; most women wear their winter
乐意
发表于 2025-3-23 07:08:46
,“Hardly Paradise”: From Shantytown to Housing Projects,’s history parallels other Parisian . and changes in its landscape, from fields—captured by Claude Monet’s “Poppy Fields at Argenteuil” in 1873—to a post–First World War shantytown, to housing projects in the 1960s, and to riots and active community organizations in the 2000s. These transformations