HAG 发表于 2025-3-21 18:46:08

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Ptsd429 发表于 2025-3-21 21:38:17

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无力更进 发表于 2025-3-22 16:53:13

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头脑冷静 发表于 2025-3-22 22:35:42

2946-3475 rights. Selby argues that the complex “fetishization” of headscarves in public, governmental, and feminist French discourse positions publicly-visible Muslim women in ways that obscure their engagement with laïcité (French secularism).978-1-349-58540-3978-1-137-01132-9Series ISSN 2946-3475 Series E-

BATE 发表于 2025-3-23 02:15:22

Setting the Scene: Place and Method,es, circling animatedly around a group of mostly Muslim women of North African origin.. Twenty or so women are seated in orange stackable plastic chairs at tables arranged in a half circle in the basement of a community center outside of Paris. The room is poorly heated; most women wear their winter

乐意 发表于 2025-3-23 07:08:46

,“Hardly Paradise”: From Shantytown to Housing Projects,’s history parallels other Parisian . and changes in its landscape, from fields—captured by Claude Monet’s “Poppy Fields at Argenteuil” in 1873—to a post–First World War shantytown, to housing projects in the 1960s, and to riots and active community organizations in the 2000s. These transformations
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查看完整版本: Titlebook: Questioning French Secularism; Gender Politics and Jennifer A. Selby Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012