小说
发表于 2025-3-23 12:01:18
Transnational Slash: Korean Drama Formats, Boys’ Love Fanfic, and the Place of Queerness in East AsiLessard makes the case that queer cultural forms and online fandoms should be seen as a driving force in East Asian media flows. Focusing on the queer-themed Korean drama, . and its subsequent formatting for Japanese and Taiwanese markets, Lessard traces the transnational, queer circuitries of adapt
Factual
发表于 2025-3-23 15:15:29
Queer Many Ways: Ulrike Ottinger’s , (1984), combines Oscar Wilde’s . with the three . films of 1922, 1933, and 1960 (director Fritz Lang) and makes references to even more texts and histories. It includes multiple approaches to queer adaptation: it queers straight texts, reaches out to a queer viewer, expresses queer sensibilities and exper
得罪人
发表于 2025-3-23 19:16:45
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ADAGE
发表于 2025-3-24 01:29:19
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sclera
发表于 2025-3-24 03:23:31
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广告
发表于 2025-3-24 08:38:10
Willful Infidelities: Camping revolution as camp was emerging as a more visible and pervasive representational trend. The first is Radley Metzger’s . 2000 (1969), a film that helped secure Metzger’s reputation as an auteur of “highbrow” erotica for mixed-sex audiences. The second is the Ridiculous Theatrical Company’s . (1973) b
HAVOC
发表于 2025-3-24 12:12:58
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Comedienne
发表于 2025-3-24 15:24:37
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OTHER
发表于 2025-3-24 22:47:57
The Queer Aesthetics of Tom Ford’s Film Adaptations: , and s cinematic grammar to create films that underscore both emotional connection and alienation—a queer aesthetic. Ford’s fascination with classic Hollywood cinema and his artistic sense as a queer filmmaker allow him to involve his audience in stories that speak to queer sensibilities but make them relevant to the general spectator.
galley
发表于 2025-3-25 01:38:57
Adaptation, and Queer Timeonstruction of time and space, its resistance to—and revision of—conventional narrative patterns. The analysis also suggests a strategy for approaching other adaptations—not as a contest between two competing works to see which one is more authentic, but as a collaboration among artists, readers, commentators, spectators.