Capricious
发表于 2025-3-21 18:45:39
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VICT
发表于 2025-3-21 21:39:39
of the queen, her court, and the cultural practices by which the Elizabethan regime established and maintained its power. Spenser accepts his role as that of the Orphic bard, praising, warning, and celebrating the society that not only rewarded but in a real sense created him. Thus his poem’s centr
Enthralling
发表于 2025-3-22 03:09:06
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运动性
发表于 2025-3-22 07:54:30
Klaudia Schultheisgne’s .. The longed-for ‘grace’ that the beloved finally bestows upon the lover in Sonnet 67 has been read in Protestant theological and secular erotic terms via a long tradition of literary hunting metaphors. This chapter contributes an Aristotelian version of grace to the interpretive context. It
内阁
发表于 2025-3-22 11:53:49
Anne Leddin,Britta Ostermann,Annedore Prengel,Christin Tellisch,Vivien Wysujacke. If not quite constituting characters or agents, I argue that horses have a vital connection to the movement of the poem itself, enabling narrative progression and acting as sensitive registers of what Paul Ricoeur terms narrative ‘followability’. Spenser’s poem courses forwards in linear fashion,
BLINK
发表于 2025-3-22 13:55:55
Torsten Eckermann,Michael Meierent swiftness, height, and lightness, but they can also be surprisingly heavy and awkward. The interpretive framework offered by Guillemette Bolens’ ., which discusses the role of ‘sensorimotor resonance’ (mental simulation of movements and their meanings), offers a way of appreciating readers’ ment
清楚
发表于 2025-3-22 21:04:00
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Acquired
发表于 2025-3-23 01:05:02
Grit Behse-Bartelsrical and scriptural detail. In it, I interrogate a critical propensity (especially compelling in Spenser studies) to distrust figuration, particularly allegory and anthropomorphism, in the context of literary animals. Rather than equating the ‘literal’ to the material or immediate and reducing figu
树胶
发表于 2025-3-23 03:51:18
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拥挤前
发表于 2025-3-23 08:11:05
Bettina Brenneke,Anja Tervooren so strong and unflattering that it is difficult to attribute the poet’s motives to irony or indirection. Part I of this study reconsiders what Burghley actually misread and why. Thus far, it has argued that Spenser frames the Lord Treasurer as an interpreter in bad faith of the Book 3 conclusion to