恩惠
发表于 2025-3-23 11:30:56
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NAIVE
发表于 2025-3-23 15:57:02
,—Mourning and Elegy: , and ,d ‘.: Elegy, Memory and Desire’. As Wood shows, Gaskell and Eliot construct ethics in relation to mourning; however, the novels suggest that mourning cannot take place within the enclosed domestic scene, requiring movement out into new social and communal spaces. In ., the apparent gulf between work
AXIS
发表于 2025-3-23 19:58:16
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bourgeois
发表于 2025-3-23 23:33:09
Book 2020e Bronte, Collins, Gaskell and Elliot. Madeleine Wood argues that the mid-Victorian novels present their protagonists in a state of damage, provoked and defined by the conditions of the mid-century family: the cross-generational relationship is presented as formative and traumatising. By presenting
新陈代谢
发表于 2025-3-24 04:37:27
,—Childhood Passions and Pathologies: , and ,e limits of Cathy and Heathcliff’s story, presenting the violent aftermath of a primal scene which remains intangible. . is founded on primal parental failure: Robert Moore’s family debt; Caroline’s debauched father and absent mother, with Shirley’s seemingly protected orphanhood juxtaposed against this.
inhumane
发表于 2025-3-24 09:01:36
Conclusion, of the bourgeois home. Wood concludes that the mid-Victorian novelists and Freud were equally concerned with the problem of how to plot a life, and the working-through of loss underpins both the mid-Victorian novel and Freudian psychoanalysis.
名字的误用
发表于 2025-3-24 10:55:25
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FLASK
发表于 2025-3-24 14:56:42
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overreach
发表于 2025-3-24 20:33:54
A Crisis in Relations: Psychic Wounds, Fantasy, and the Construction of Family,e. The chapter is organised into three sections: ‘Freud, Trauma and Primal Phantasy’, ‘Laplanche and the ‘Compromised Message’ and ‘Mourning and Working-Through’, the chapter concluding by considering the possibility of healing, and the ethical dimensions of recovery.
AXIOM
发表于 2025-3-24 23:12:44
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