逃避现实
发表于 2025-3-28 17:02:15
Mary Brockmeyer’s Wedding Picture: Exploring the Intersection of Photographs and Oral History Intervgues that family photo albums may be interpreted by exposing their “oral structure.”. Thus, a picture does not say more than a thousand words, but rather holds the potential to evoke multiple meanings.
煞费苦心
发表于 2025-3-28 21:31:08
Using Press Photographs in the Construction of Political Life Storiesocratic Republic (GDR) in 1962; and his work for the newly formed Deutsche Kommunistische Partei (German Communist Party; DKP) after its formation in West Germany in 1968. To this day, Markus Hulsberg has remained a political activist, participating, for instance, in demonstrations and speaking at rallies as a member of the DKP.
多骨
发表于 2025-3-29 01:05:53
“When I Was a Girl…”: Women Talking about Their Girlhood Photo Collectionscamera of her own, a gift for her 14th birthday, Irene’s collection contained mainly photographs that she had taken. Irene and Carol were not unusual in collecting photographs and making albums; these were common practices amongst middle-class girls growing up in England in the 1950s and 1960s.
Between
发表于 2025-3-29 06:17:17
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LOPE
发表于 2025-3-29 11:16:09
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Gentry
发表于 2025-3-29 14:18:19
From Witness to Participant: Making Subversive Documentaryph or a recording) is simply a carrier by which the subject can communicate directly and without interference. The perception of inherent truth of documentary media, however, obscures how their meaning is created rather than revealed.
直觉没有
发表于 2025-3-29 18:05:19
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entail
发表于 2025-3-29 23:40:58
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发微光
发表于 2025-3-30 03:48:44
“You Hear It in Their Voice”: Photographs and Cultural Consolidation among Inuit Youths and Eldersnd Inlet, in Nunavut, the Canadian central arctic territory established in 1999. Like all of the case studies discussed in this volume, the interviews that Natasha conducted centered around photographs as memory prompts and sites of social engagement (see Figure 5.1). Natasha recalled:
propose
发表于 2025-3-30 04:30:50
2731-5673 os as memory triggers to their deployment in the telling of life stories. The book‘s contributors include both oral historians and photography scholars and critics.978-1-137-28062-6978-0-230-12009-9Series ISSN 2731-5673 Series E-ISSN 2731-5681