angiography
发表于 2025-3-28 16:56:07
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钱财
发表于 2025-3-28 21:07:07
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opinionated
发表于 2025-3-29 02:04:37
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pacific
发表于 2025-3-29 04:50:17
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植物学
发表于 2025-3-29 07:33:21
Theory as Style: Adapting , via Baudrillard and Cronenbergy and film: Jean Baudrillard’s . (1994) and David Cronenberg’s . (Canada, 1996) respectively.. The chapter focuses on the source text and its adaptations with a view to outlining the diverse modalities of theorising that are to be found across these different mediums and forms: the written word of l
IRK
发表于 2025-3-29 14:00:23
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gerrymander
发表于 2025-3-29 16:13:58
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flamboyant
发表于 2025-3-29 22:38:46
Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman’s and What might film studies bring to the practice of philosophy? Here, explored from a pedagogical perspective, my exemplar is existential phenomenological philosophy as it illuminates — and is illuminated by — Derek Jarman’s seemingly ‘monochromatic’ film, . (UK, 1993). Made when the filmmaker was
大方一点
发表于 2025-3-30 01:45:11
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表皮
发表于 2025-3-30 08:01:56
A Bleak Burlesque: Michael Haneke’s , as a Study in Violencee is soaked in the sink and rendered unusable before proceeding, over the course of a night, to impose upon Ann, George and their young son, Georgie. The family endure a series of games where the stakes are either to escape or choose the manner of death. All three are killed: the child and father by