Indigent
发表于 2025-3-21 18:09:42
书目名称New Media Dramaturgy影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK0665454<br><br> <br><br>书目名称New Media Dramaturgy读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK0665454<br><br> <br><br>
不法行为
发表于 2025-3-21 21:12:40
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得罪人
发表于 2025-3-22 01:11:41
From Extreme Light to Total Darkness: The Dramaturgy of Organised Light,tions, and light and video displays in installation works exhibited in gallery spaces. We draw on Sean Cubitt’s idea of ‘organised light’ (., Open Humanities Press, London: 2015, 45) as the functional ability to focus and amplify light in parallel with developments of the technologies of luminescenc
名次后缀
发表于 2025-3-22 05:39:27
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Pillory
发表于 2025-3-22 08:51:41
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微枝末节
发表于 2025-3-22 15:46:08
The Theatrical Superfield: On Soundscapes and Acoustic Dramaturgy,Chion, ., Columbia University Press, New York: 1994, 150). With the development of high-fidelity sound systems, sound presence in film (‘projected’ in cinematic speaker arrays and even via headphones inserted into the ear canal) is superabundant; it is a resonant field that can be more sensorially c
Acupressure
发表于 2025-3-22 20:27:37
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frenzy
发表于 2025-3-22 22:19:28
Play/Pause, FF/Rewind. End. Machine Times, End Times: Theatre, Live Film and Video,rmation of a practice looking backwards and forwards, communicating histories and the future worlds of NMD. This chapter deals with questions of temporality and belatedness in NMD and considers modalities of machinic temporality through a number of examples of work that seem to betray a dramaturgica
calamity
发表于 2025-3-23 03:39:10
Post-NMD?,guages of contemporary media but is not the same as the ‘media’ broadly constituted, but has a materiality and a particular critical cultural presence. We argue that it deploys new media to counteract the ‘cognitive automatism’ (Berardi) and the bland anthropomorphism of contemporary media experienc
Decrepit
发表于 2025-3-23 09:13:00
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