Visual-Acuity
发表于 2025-3-26 23:50:11
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constitutional
发表于 2025-3-27 03:26:50
CSPstars III: Gruppendynamische Ansätze in der Zusammenarbeit nutzen und steuerngsstory. Trotzdem gibt es noch sehr viele Bereiche, welche verbessert werden müssen. Das war uns von Beginn an klar. Der Plan war es, dass wir Werkzeuge zur Verfügung stellen, welche es ermöglichen, rasch und unkompliziert das System anzupassen. Es kam aber anders. Wir haben eine Maschine mit klar definierten Zahnrädern gebaut.
Ganglion-Cyst
发表于 2025-3-27 08:07:26
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sleep-spindles
发表于 2025-3-27 13:29:00
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OASIS
发表于 2025-3-27 16:54:59
Nicole Bischof,Roger Künzliwn how an audience newly liberated, highly visible, and energized by the Globe’s spatial relations of building, stage and auditorium in the same light, can influence the playing of a scene. At the first preview performance of . this empowerment of the audience and the energizing of the actors were r
CRP743
发表于 2025-3-27 19:14:25
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Leisureliness
发表于 2025-3-27 22:53:18
Nicole Bischofnsters are integral to most ancient mythological systems and persist to haunt more modern forms of interpreting the universe in the forms of folklore, fables, metaphors, and less-definable forms that trouble our unconscious, collective and individual. The existence of monsters in mythological networ
暂时中止
发表于 2025-3-28 02:50:04
Nicole Bischofma is ‘unknowable’, as the discourse concurs, then how can live performance encounters stage it? Unpacking the case studies of performance in this volume which occur in contemporary Ireland, the north of Ireland and Britain, it introduces the staging contexts of traumatic histories drawn from person
机构
发表于 2025-3-28 09:23:39
Nicole Bischof this setting. The Raftery home is a broken home and the audience act as witness to intergenerational abuse and despair that is played out in two acts. While the artistic sensibility of Carr’s dramaturgy is most often considered as influenced by Beckettian landscapes, in this play, living appears as
Impugn
发表于 2025-3-28 10:45:08
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