Sputum 发表于 2025-3-23 12:40:13
Corinna Semling,Susanne Spurlingintellect’ when actually ‘these parts of our selves are inseparable: without the material of the living body, there is no mind, and without feeling there is no true reason’. Even in the verbally dominated modes of performance typically associated with realism, Blair (2008, p.81) concludes that the cELATE 发表于 2025-3-23 15:23:25
e an alternative and emergent political narrative: “the history we haven’t had”. This book will appeal to students and scholars of theatre and cultural studies as well as theatre practitioners and enthusiasts..978-3-030-07232-2978-3-319-96686-1Series ISSN 2947-5767 Series E-ISSN 2947-5775绝食 发表于 2025-3-23 21:02:47
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Nicole Bischof a theatre would become available for the show. . is frequently held up as a pivotal moment in the history of American theatre, and serves as an illustration of the many reasons that theatre practitioners should remain wary of government involvement in the creation of theatre; moreover, it is freque依法逮捕 发表于 2025-3-24 07:30:14
Daniela Frauled guidance supporting best practice in the theatre of personal stories. The guidance is structured within a four-part framework focused on .history., .ethics., .praxis., and .intentions.. This includes a newly developed model for safe practice, called the Drama Spiral..The book is for theatre makedeviate 发表于 2025-3-24 11:16:10
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Ivo Bättig the other half lived—a crossing of geographical and ideological boundaries that brought the wealthy close to ignoble types: the poor, the criminal, the immigrant, and the prostitute. Hence, Darnton reasoned, plays that represented slum life were simply intolerable. Unfortunately, the opposite had b自传 发表于 2025-3-25 00:16:30
onen ermöglichen, diesen Weg selbst zu beschreiten. Die in den Learning Journeys vorgestellten Methoden und Tools können einzeln für Trainings und Workshops zu ähnlichen Themen genutzt werden..978-3-7910-5978-5