VEER
发表于 2025-3-21 20:08:20
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pacific
发表于 2025-3-21 23:58:07
Federico Addimando classical unities; one of the few for which there is no known literary source; and (the significance of this we can only guess at) given pride of place by Heminge and Condell at the front of the First Folio. For all the admiration it has received, it is not a play that one instinctively warms to. T
Immunoglobulin
发表于 2025-3-22 02:12:50
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TOXIC
发表于 2025-3-22 07:19:57
Federico Addimandoat does it look like? How can one know for sure that it has taken place? As I have already noted in the introduction, queries along these lines were the object of intense speculation and theorisation throughout early modernity, not only in monasteries and universities, but also in playhouses and on
GULLY
发表于 2025-3-22 12:18:48
Federico Addimando in the mid-eighteenth century and so some discussion surrounding the context of this work is needed. In the first section of this chapter I will explore the background to Garrick’s adaptation and then focus later on how this impacted on the women’s roles in the play. “Silence” is a fitting start to
充气女
发表于 2025-3-22 15:59:19
Federico Addimando in the mid-eighteenth century and so some discussion surrounding the context of this work is needed. In the first section of this chapter I will explore the background to Garrick’s adaptation and then focus later on how this impacted on the women’s roles in the play. “Silence” is a fitting start to
fetter
发表于 2025-3-22 20:17:38
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allude
发表于 2025-3-22 23:32:08
ere: it is hardly adequate to the complex ways in which his poems interact with the various issues I have traced in relation to the sonnet. This movement is not simply an intertextual phenomenon, in a reasonably straightforward intimation of poetic allusion. Even the term ‘genre’ is not flexible eno
存心
发表于 2025-3-23 03:02:38
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Accede
发表于 2025-3-23 06:33:16
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