corporate
发表于 2025-3-25 03:46:05
in London: Black Internationalism and the Black Imaginary, presence that marked a period of possible recognition and change, that challenged and reformulated new ideas about identity and nation. Travelling African-American revues and their stars became feted as representatives of a global cosmopolitan culture in the metropolis.
Intractable
发表于 2025-3-25 08:18:34
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PACT
发表于 2025-3-25 13:19:24
,Degeneration/Regeneration—The Remaking of Nation in Wartime West End Spectacular Revue,West End revue this renegotiation had a slightly different register: rather than a breaking down of traditional gender roles and identities, as indeed there was in other spheres, I argue that wartime revue performance displayed a regenerative nationalism that sought a remasculinisation of British culture.
博识
发表于 2025-3-25 17:45:12
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串通
发表于 2025-3-25 21:00:33
978-3-030-75211-8The Editor(s) (if applicable) and The Author(s) 2021
CLOT
发表于 2025-3-26 03:34:24
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Heretical
发表于 2025-3-26 04:22:11
Palgrave Studies in British Musical Theatrehttp://image.papertrans.cn/n/image/661386.jpg
里程碑
发表于 2025-3-26 10:47:50
https://doi.org/10.1007/978-3-030-75209-5Colonialism; Burlesque; Commedia; Music hall; Pantomime; Minstrelsy; Pierrot
defibrillator
发表于 2025-3-26 16:04:59
Reading London West End Revue,or the dissemination of national ideology. This chapter draws on current theoretical debates across performance and theatre history, cultural theory and intercultural developments in British performance research.
Ingredient
发表于 2025-3-26 20:49:48
,Revue in the Modern World: Possibilities and Perils—West End Identities,entification in revue, especially in its dramatic and cultural form, where revue consciously played with linear narrative and performance frameworks and challenged, musical comedy’s utopian vision by offering opposing critiques of social and cultural change.