anniversary
发表于 2025-3-30 09:12:04
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Gum-Disease
发表于 2025-3-30 15:57:23
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Coordinate
发表于 2025-3-30 19:25:18
Kurt Scheerschmidt,Peter Wernerlingness to subordinate facts to meanings is in any case a characteristic only of male artists. Stuart Curran, for example, celebrates the manner in which Charlotte Smith, in a poem such as ., refuses to allow the details of the landscape to be absorbed within her theme. When her glance falls on ‘th
无弹性
发表于 2025-3-30 23:30:21
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nonplus
发表于 2025-3-31 02:23:47
Fred H. Pollakin general was not a natural prerogative, for whom geographical mobility was not the ready expression of their personal freedom, and for whom the choice of pedestrian transport did not, could not, perform the same values as it did for middle-class men? Labouring-class men, and women of whatever clas
insidious
发表于 2025-3-31 05:54:43
Robert Heitz variety of definitions of Romanticism might prove most illuminating. In the present instance, my concern is to exemplify major aspects of an era in the intellectual life of Europe. Therefore it does not seem to me particularly useful to follow some leading scholars in identifying Romanticism as one
狂乱
发表于 2025-3-31 09:58:57
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MIME
发表于 2025-3-31 16:05:24
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外向者
发表于 2025-3-31 19:08:27
Marius Grundmannnced, but as specific to the person who assumes the role of artist. That is to say, the theme of the artist in Romantic literature has distinctive implications. It predicates a cleavage between the artist and the world and the work of art appears in the guise of resolution and absolution.
胶状
发表于 2025-3-31 22:37:56
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