Recess
发表于 2025-3-25 04:19:57
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Expertise
发表于 2025-3-25 10:00:53
Fred H. Pollak traditionally connoted. The loss of those socio-cultural significances, or the newly ironic manipulation of them, were indispensable to the emergence of a new form of masculine, middle-class self-fashioning. The vast majority of the early pedestrians I surveyed in the early chapters of this book fa
他去就结束
发表于 2025-3-25 15:20:33
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万神殿
发表于 2025-3-25 19:23:12
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热情的我
发表于 2025-3-25 20:59:01
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Isthmus
发表于 2025-3-26 03:26:24
Marius Grundmannown so familiar that it is all but invisible: we take it as a matter of course that the writer should write about the artist’s predicament — why, indeed, should he not? — or that in a poem the figure of the poet should obtrude upon the reader’s consciousness in an insistent and self-dramatising way,
ALERT
发表于 2025-3-26 07:47:32
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Customary
发表于 2025-3-26 09:26:09
Oliver G. Schmidt,Yvonne M. Manz,Karl Eberlown so familiar that it is all but invisible: we take it as a matter of course that the writer should write about the artist’s predicament — why, indeed, should he not? — or that in a poem the figure of the poet should obtrude upon the reader’s consciousness in an insistent and self-dramatising way,
平庸的人或物
发表于 2025-3-26 15:33:52
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兵团
发表于 2025-3-26 20:30:34
Alexander WeberIt shows how Walcott’s long poem . and a series of lyric poems from throughout his career appropriate a Wordsworthian language of aesthetic negation that aims toward the extinction of existing modes of ‘sense’ or aesthetic mediation. Walcott’s poetry consistently returns to the desire to approach th