空格 发表于 2025-3-21 18:43:14

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枕垫 发表于 2025-3-21 21:34:44

https://doi.org/10.1007/978-981-19-5166-4music informatics; mathematics in music; computational musicology; semiotics; artificial intelligence

脱落 发表于 2025-3-22 00:44:38

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Mobile 发表于 2025-3-22 06:29:58

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deviate 发表于 2025-3-22 10:49:09

Book 2022be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation – the Berklee method, which originated at the Berklee School of Music in Boston – from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 int

梯田 发表于 2025-3-22 14:23:33

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厨师 发表于 2025-3-22 18:17:01

formatics and intelligent informatics.This book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and d

Ankylo- 发表于 2025-3-22 23:50:52

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史前 发表于 2025-3-23 03:25:28

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Instantaneous 发表于 2025-3-23 06:32:21

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查看完整版本: Titlebook: Music, Mathematics and Language; The New Horizon of C Keiji Hirata,Satoshi Tojo,Masatoshi Hamanaka Book 2022 The Editor(s) (if applicable)