recession
发表于 2025-3-23 10:59:59
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ovation
发表于 2025-3-23 16:35:29
978-3-030-85104-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
精致
发表于 2025-3-23 19:57:27
https://doi.org/10.1007/978-3-030-85102-6dramaturgy; metatheatricality; violence; playwriting; acting; spectatorship
GRAIN
发表于 2025-3-23 23:50:42
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SIT
发表于 2025-3-24 05:40:01
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未成熟
发表于 2025-3-24 09:23:21
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知道
发表于 2025-3-24 13:41:16
,Performative Violence and Self-Reflexive Dramaturgy: A Study of Guillermo Calderón’s , and Other Wotadrama, . illustrates how dramatic self-reflexivity may be used to expose the ethical precarity of a theatre that speaks for the other, rather than listening to them. I draw from Salwa Ismail’s explanation of the performativity of violence as a basis for analysing the dramaturgical design of . and
解冻
发表于 2025-3-24 17:05:48
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receptors
发表于 2025-3-24 21:56:47
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visual-cortex
发表于 2025-3-24 23:39:21
,Staging Rage: A Feminist Perspective on Theatrical Self-Reflexivity in Ella Hickson’s , and Tim Cro ., and supplemented with discussion of Catherine Filloux’s ., Tim Crouch’s . and Heidi Schreck’s . Hickson’s play is an exemplary text for considering how theatre’s governing principles—economic and aesthetic—are determined by prevailing hegemonic norms that control the distribution of subject and