联想记忆
发表于 2025-3-25 04:58:43
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Bmd955
发表于 2025-3-25 09:42:16
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连累
发表于 2025-3-25 13:16:42
The Echo-Chamber,nt-gardes of the 1920s. Both artists’ work draws on cinephilia as they replay and return to film form from the past of cinema and avant-garde practices. This chapter argues that their work synthesizes the fragmented traditions of artists’ film and video and takes up the ‘unfinished business’ of avan
Gentry
发表于 2025-3-25 17:23:51
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悦耳
发表于 2025-3-25 21:59:07
Mediatized Memories, media are involved in the construction of memory and secondly the memory of media formats themselves. In an analysis of moving image installations by Mark Leckey, Lucy Raven, Jaki Irvine, James Richards and Elizabeth Price, the intersection between individual and collective memory and the effect of
有杂色
发表于 2025-3-26 03:28:11
,Conclusion: ‘Inconsolable Memory’,d artworks give material substance to the virtuality of memory. Secondly, memory is shown to operate in relation to forgetting and the navigation of disavowed ‘hauntings’ of memory. Thirdly, the ethico-political dimension of memory becomes evident in the documentary fiction mode, where ‘real fiction
acrimony
发表于 2025-3-26 05:24:44
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直觉好
发表于 2025-3-26 08:39:25
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HAWK
发表于 2025-3-26 16:15:47
Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook. .offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st
令人心醉
发表于 2025-3-26 18:39:26
Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook. .offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st